Universal Pictures

  • 12 Monkeys directed by Terry Gilliam (1995)

    score: 7 of 10 [7/10]

    "We come to expect the ending, but I felt somewhat disappointed with the conclusion, which left me with an empty feeling like an unfulfilled promise."

  • Accepted directed by Steve Pink (2006)

    score: 5 of 10 [5/10]

    "I wouldn't call it a masterpiece, but with a few really funny lines and the stereotypical warm-and-fuzzy comedy ending make a good starting point for freshman director Steve Pink."

  • American Gangster directed by Ridley Scott (2007)

    score: 6 of 10 [6/10]

    "From the trailers, I expected to see scene after scene of gore and violence, but I was pleasantly surprised at the intellectual comparison of these 'real life' characters from our recent past."

  • Break-Up, The directed by Peyton Reed (2006)

    score: 5 of 10 [5/10]

    "The utter lack of romantic chemistry between Vaughn and Aniston dooms The Break-Up, since the audience really doesn't care if the couple gets back together or not, and the few meager laughs don't really merit spending any time or money at the theater on this film."

  • Coal Miner's Daughter directed by Michael Apted (1980)

    score: 6 of 10 [6/10]

    "I would have liked the movie to present more of Loretta's personal philosophy as expressed in her songs and less of her hobnobbing with stars after her rise to fame."

  • Gladiator directed by Ridley Scott (2000)

    score: 8 of 10 [8/10]

    "Gladiator succeeds as a hero story, and Louis DiGiaimo should get some recognition for casting actors into perfect parts for their characters. I enjoyed the battles and the recreation of 2nd century Rome, but Gladiator doesn't carry the depth of feeling you get from other hero movies, such as Spartacus or Braveheart, and probably won't endure time as well as Alien, Blade Runner, or some other Ridley Scott films. "

  • Master and Commander: The Far Side of the World directed by Peter Weir (2003)

    score: 9 of 10 [9/10]

    "Master and Commander excels at presenting a picture of life on a nineteenth century naval vessel: close quarters, dirty living conditions, and a high likelihood of receiving severe wounds or dying."

  • Notting Hill directed by Roger Mitchell (1999)

    score: 6 of 10 [6/10]

    "Can the boy love the girl and live happily ever after, even though the girl is a movie star? Of course, they have one last chance to reunite and make up and to leave the audience with the requisite warm-fuzzy feeling."

  • U-571 directed by Jonathan Mostow (2000)

    score: 6 of 10 [6/10]

    "Mostow has created a good action picture with cardboard characters and a cliched plot. He spends too much time in the first half of U-571 trying to show the realities of submarine life and neglects details that would make the audience care about the characters."

  • United 93 directed by Paul Greengrass (2006)

    score: 7 of 10 [7/10]

    "United 93 walks us through the transition from before 9/11 to after 9/11. Our lives take place with a much more hectic set of background noises playing than before, and with United 93, we watch the exact moment when the background noise increased."

    Average score: 6.50

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